Cowboys Stadium has opened its inaugural season in Arlington, TX, and it has already taken its place among the world’s finest sports venues. The facility features high-end stonework throughout, including the concourses, suites, lounges and other public spaces. Much of the interior stonework for the stadium was supplied through Stone Marketing International (SMI) of Houston, TX.
When Cowboys Stadium made its regular season debut for a national television audience in September, legendary broadcaster Al Michaels referred to the facility as a “palace.” And while that may be the first time the term “palace” has been associated with a sports venue, it is a fitting description for a facility that was designed in a style befitting a five-star resort - including lavish use of stone throughout.
Designed by HKS Sports & Entertainment Group and built by general contractor Manhattan Construction Co., the $1.1 billion stadium includes seating for as many as 100,000 people, 300 luxury suites, club seating on multiple levels and the Dallas Cowboys Pro Shop, which is open to the public year round. The 3-million-square-foot stadium is the largest National Football League venue ever built, and it also represents the biggest column-free room in the world, stretching a quarter-mile in length.
At the Main Concourse, a field of concrete floor tiles is accented by bands of Galactica granite, produced by Marmi Sava srl of Italy. Meanwhile, feature walls are adorned with a custom wall mosaic using tiny mosaic pieces in silver white - key elements of the Cowboys’ color scheme.
The stadium’s architecture conveys a “modern, progressive” aesthetic while also incorporating elements of Texas Stadium’s heritage such as the shape of the roof’s opening and the Ring of Honor.
“As a team of firsts, this new stadium represents the Dallas Cowboys’ innovation and progressiveness for the future while upholding the traditions of Texas Stadium,” stated Jerry Jones, owner and president of Dallas Cowboys. “The iconic design is architecturally significant and reflects the Dallas Cowboys worldwide brand.”
“In recognition of the time-honored traditions and timeless dynamic nature of the Dallas Cowboys, we chose a modern palette of simple forms and materials that creates a fittingly progressive architectural expression for the new stadium,” stated Bryan Trubey, AIA, principal designer for HKS Sports & Entertainment Group. “Swift form, powerful structure, agile movement and emulated colors serve as a strong link between the architectural form of the building and the primary use of the venue - the home of the Dallas Cowboys.”
A range of materials were used for the bartops in the concession areas, including Galactica granite, which has a “splash of blue that brings a subtle branding element to the spaces,” according to Loretta C. Fulvio IIDA, TAID, Vice President of HKS.
Among the architectural and engineering achievements, the stadium features an expansive retractable roof that is the largest of its kind in the world, supported by two monumental arches that rise 292 feet above the playing field. It also features the largest retractable end zone doors in the world - each with a five-leaf, clear, retractable opening measuring 120 feet high by 180 feet wide. These allow for panoramic views from within the seating bowl and stadium concourses, while also providing air circulation for fan comfort.
Receiving much of the early publicity as the stadium opened, the world’s largest video board hangs approximately 90 feet above the field from the roof structure. This video center features four individual boards - two facing the sidelines measuring 72 feet tall by 160 feet wide and two facing the end zones measuring 27 feet tall by 48 feet wide. A rich palette of stone
Going beyond traditional sports amenities, the upscale feel of Cowboys Stadium is generated through the generous use of high-end stone materials. Much of the stonework was supplied through Stone Marketing International (SMI) of Houston, TX, which had previously made its mark in the NFL by coordinating the supply of stone for Reliant Stadium, home of the Houston Texans.
Irma Lovelace of SMI explained that the company worked closely with Loretta C. Fulvio IIDA, TAID, Vice President of HKS, and the stone materials were selected to help achieve the goal of a “modern, but cozy” environment throughout the stadium.
The lobbies beyond the outside entrances feature Galactica tiles on the floor and large-format marble wall mosaics from Island Stone of Santa Cruz, CA.
“It definitely had to reflect the architecture, which was international modern,” Fulvio explained. “We had a lot of requirements given by the owner; a lot of statements that we had to live up to. It had to be unique, and it had to be something that was not seen everywhere. It definitely had to be something that was upscale and gave you the feeling of luxury no matter where you were in the stadium. They wanted something beyond the level of the international Olympic venues and international hotels.”
From the very beginning, Fulvio said that the interior design would “absolutely” include extensive use of natural stone. “The Joneses are clients that are used to refined materials, and they have a great eye,” she said. “They like natural solutions more than faux materials or something that would look like stone.”
To source materials, Fulvio and the stone suppliers made several trips overseas, including a number of trips to the Marmomacc exhibition in Verona, Italy. “I went to [Marmomacc] for the past few years, even before the project began,” she said. “We were looking for stones, and we would always find some new ones. We always went in to find the most unique stones that would relate back to the architecture and back to the Cowboys. We wanted something you just wouldn’t see someplace else.”
The elevator lobbies at the main level are faced with tiles of Afton Black granite produced by A. Lacroix et Fils Granit Ltée of Saint-Sébastien, Québec, Canada.
Fulvio said that SMI was instrumental in helping her find materials that would meet the overall design goals. “I’ve worked with them my entire career, even when I was an intern over 20 years ago,” she said. “They’ve always been a go-to source for me. If I sit with Irma and her crew for a while and explain the goal, they can pretty much pick up on it and find what I am after. Or I can find something on my own and show it to them, and they can hunt it down. This relationship has been going on for 20 years all over the world. No matter what you have, they’ll absolutely find it.”
In selecting the stones that would be used on Cowboys Stadium, Fulvio and the design team worked very closely with team ownership. “We had a very educated client, and they knew what they wanted,” she said. “It wasn’t just HKS; the client was also very involved with the approval of all final submittals. You’re working with millions of dollars worth of stone, and we had everything mocked up for presentation to the client. They didn’t want stones with heavy movement. They wanted the stones to be tight and clean and beautiful. It all worked out really well.”
Main Concourse and Main Club Level
The Main Club Level features extensive use of the Galactica granite for the walls, including large-format panels.
At the Main Concourse, a field of concrete floor tiles is accented by bands of Galactica granite, which was produced by Marmi Sava srl of Italy and supplied by SMI. Meanwhile, feature walls in the Main Concourse are adorned with a custom wall mosaic using tiny mosaic pieces in silver and white - key elements of the Cowboys’ color scheme. These mesh-mounted mosaics were installed by Texas Stone & Tile of Carrollton, TX.
Several different materials were used for the bartops in the Main Concourse and the Main Club Area as well as other lounges, and the stones provide a tie-in to the overall color palette. Included are bartops featuring SK marble, a white material that is quarried in Greece. “They wanted something that wasn’t common like an alabaster,” explained Lovelace.
Other countertops in the stadium are made from Galactica and Labrador Antique granite, both of which “had that splash of blue that brings a subtle branding element to the spaces,” according to Fulvio.
The design of the Main Concourse also includes Portuguese limestone, which was used as wall cladding at the escalator entrances and stairwells leading to the upper levels. Materials included Gascogne Blue - produced by Dimpomar of Portugal.
The elevator lobbies at the main level are faced with tiles of Afton Black granite, produced by A. Lacroix et Fils Granit Ltée of Saint-Sébastien, Québec, Canada, and supplied by SMI. This stonework was also installed by Texas Stone & Tile.
Meanwhile, the lobbies beyond the outside entrances feature Galactica tiles on the floor and large-format marble wall mosaics from Island Stone of Santa Cruz, CA. The marble wall mosaics were installed by Modern Tile of Garland, TX.
A similar materials pallet was used at the Main Club Level, with more extensive use of the Galactica granite for the walls, including large-format panels. Dee Brown, Inc. (DBI) of Garland, TX, installed all of the interior club areas, stone tops and large-format wall panels.
The design of the Main Concourse also includes Portuguese limestone, which was used as wall cladding at the escalator entrances and stairwells leading to the upper levels. Materials included Gascogne Blue - quarried by Dimpomar of Portugal and supplied through SMI - as well as Blue Monica, supplied by Texas Stone and Tile, which was also responsible for installing the limestone wall cladding.
At the stairwell, Blue Monica limestone serves as wall cladding.
Operation of Cowboys Stadium is not limited to games or other events, as the 10,000-square-foot Dallas Cowboys Pro Shop will be open to the public year round, and tours of the facility take place most days of the year. With this in mind, visitors to the Pro Shop and tour participants come into the stadium through what is referred to as the “365 Entrance,” which is more reminiscent of a five-star hotel lobby than a football stadium.
For the 365 Entrance, the design includes floors of Basaltina tiles, which were produced by Basaltina, srl of Italy and supplied by SMI. It also utilizes a very unique material, Polar Black, for the feature wall along the Pro Shop. According to Irma Lovelace of SMI, the material is quarried in Norway above the Arctic Circle, and it has magnetic qualities - unique for a commercially sold stone.
For the “365 Entrance,” the design utilizes a very unique material, Polar Black, for the feature wall along the Pro Shop. The material is quarried in Norway above the Arctic Circle, and it was processed by Marmi Sava. The space also features Basaltina tile flooring, produced by Basaltina, srl of Italy.
“With the Polar Black, we asked around, and we knew that it was the only installation of this material in the U.S.,” explained Fulvio. “It was those kinds of things they were looking for. For almost everything that was brought onto that job, there was a lot of [surprise]. There was a period of learning the stone. When natural stone is the way you want to go, you want the inconsistencies. That’s what makes it natural. We know there is figuring and we want to match the figuring, but that’s what makes it look as natural as possible.”
The Polar Black panels, which were fabricated by Marmi Sava and supplied through SMI, are separated by horizontal bands of stainless steel, and the contractors made a special effort to achieve the proper aesthetic. “The Polar Black pieces were laid out and numbered before installation so that the pattern could be laid to specifications,” explained Brett Marshall, Assistant Project Manager for Manhattan Construction Co. “The pieces were installed using plaster anchors, which is what was used for all of the stone wall panels.”
Mark L. Timm, IIDA, Vice President at HKS, Inc. was responsible for making sure the “pattern” or “layout” was perfect, and he numbered the back of every piece of stone. Caleb McNeil of Manhattan Construction assisted to insure that the pattern was installed as numbered.
Private luxury suites are located in eight different areas on five separate levels of the stadium. Within the suites themselves, owners were given a choice of three “finish-out” options. Suites with the brown scheme feature Winter Bling countertops, with material imported from Marmi Graniti Favorita of Italy.
“The Polar Black is a very hard and brittle material, which can make it difficult to cut,” said Fred Miller, President of Texas Stone & Tile, which installed all of the panels. “We had to make some field modifications because of changes taking place during construction. It was ordered cut-to-size, but we adjusted them to fit the conditions.”
Overall, the stone specifications at Cowboys Stadium evolved as construction progressed. “We were hired for the ‘back of house’ stone and tilework, as well as all of the tilework in the locker rooms,” Miller explained. “But the scope of work escalated as we went on. Different packages of finishes were ordered as it went along, and it made for a fast-track project.”
Texas Stone & Tile was also responsible for installing all of the Basaltina in the 365 Entrance and on selected elevator walls. “We had never worked with Basaltina before; it’s a nice product,” Miller said.
Luxury suites with the beige scheme have countertops of Eramosa, which is quarried in Canada.
Like most stadiums built over the course of the past decade, guest suites were a critical element when planning Cowboys Stadium, and the design team wanted to be certain that they would include a range of premium building materials, including a wealth of natural stone. “We traveled the country looking at suites in other sporting venues as well as some of the finest museums and hotels,” stated Charlotte Anderson, Executive Vice President, Vice President of Brand Management and President of Charity Foundation for the Dallas Cowboys Football Club. “We’ve combined the best amenities with elegant and luxurious surroundings, amazing sight lines and private clubs.”
Anderson pointed out that there are four different types of suites - ranging in size from 650 to 800 square feet - with a maximum occupancy of over 30 people. The suites are located in eight different areas on five separate levels of the stadium.
Private suites with the gray scheme have Azul Aran countertops.
Within the suites themselves, owners were given a choice of three “finish-out” options. Suites with the brown scheme feature Winter Bling countertops, with material imported from Marmi Graniti Favorita of Italy and supplied by SMI. Suites with the gray scheme have Azul Aran countertops, and spaces with the beige scheme have countertops of Eramosa, which is quarried in Canada. Sigma Marble, Granite and Tile of Dallas served as the stone contractor for all of the countertops within the suites.
Complementing the stone countertops, many of the luxury suites also feature tiles of Serpeggiante, a hard and dense limestone that was produced by Marmi Manzi in the Trani area of Italy. SMI supplied approximately 100,000 square feet of this material, which was personally selected by Gene Jones, wife of Jerry Jones. All Commercial Floors was responsible for installing the limestone.
In addition to the private suites, Cowboys Stadium also houses a number of larger social spaces, such as the American Airlines Lounge, which can accommodate a greater number of fans. This feature of the stadium included Labrador Antique countertops for the bar area as well as concession stands.
Complementing the stone countertops, many of the luxury suites also feature tiles of Serpeggiante, a hard and dense limestone that was produced by Marmi Manzi in the Trani area of Italy. SMI supplied approximately 100,000 square feet of this material, which was personally selected by Gene Jones, wife of Jerry Jones.
Among the five suite levels at Cowboys Stadium, the “Silver Level” contains luxury suites as well as the offices for team ownership. This space features a range of custom-fabricated stonework, the centerpiece of which is a reception desk faced with Calacatta marble from Italy. To add a signature look to the marble, the Cowboys classic star logo was etched into the stone. This element was supplied and fabricated by Sigma Marble, Granite & Tile.
The office also features Ostrich slate from India, which was used for both the walls and the floors. The slate for the walls was specified in mesh-mounted pattern of narrow horizontal pieces, while cleft slate tiles were used for the floor. All of the slate was supplied by SMI, and it was installed by All Commercial Floors of Dallas. The stonework in the ownership offices is complemented by a range of high-end woodwork, including Australian Walnut.
In addition to the private suites, Cowboys Stadium also houses a number of larger social spaces, such as the American Airlines Lounge, which can accommodate a greater number of fans.
While the stadium’s arches and glasswork are the predominant elements of the stadium’s exterior, the design also includes the use of natural stone, specifically Adair limestone from Arriscraft International of Canada. The stone was used in rough-faced and honed formats, and DBI served as the masonry contractor for this portion of the project. “[The stone was] fabricated to 12-inch course heights with a split-face and random lengths from 18 to 48 inches,” stated DBI. “The project has a honed coping with split edges. DBI also templated and fabricated all outside corners due to their complexity and mixture of finishes - from split-face to the honed return.”
Installing a legacy
The Americans Airlines Lounge features Labrador Antique countertops for the bar area as well as concession stands.
The project broke ground in April of 2006, and construction lasted more than three years. Outside of the typical challenges of a project as large as the Cowboys Stadium, Marshall said that the project went relatively smooth. “It’s always challenging dealing with overseas lead times in terms of getting materials, but everything worked out,” he said. “And there’s the coordination with all of the trades.”
Moreover, with a George Strait concert confirmed for June 6 of this year, the project had an unyielding deadline for completion. Even though some construction crews remained into the NFL season, Cowboys Stadium had to be functional in time for that first concert date.
In addition to being the new home of the Dallas Cowboys and the annual AT&T Cotton Bowl Classic, the stadium will host the 2011 Super Bowl, the 2010 NBA All-Star Game and the 2014 NCAA men’s basketball Final Four as well as high school and college football, concerts and special events.
The team ownership offices were designed with a range of custom-fabricated stonework, the centerpiece of which is a reception desk faced with Calacatta marble from Italy. To add a signature look to the marble, the Cowboys classic star logo was etched into the stone. The office also features Ostrich slate from India, which was used for both the walls and the floors.
Looking back at her work on Cowboys Stadium, Fulvio called it “the project of a lifetime,” adding that it was particularly gratifying to see the finished stonework. “I can’t even explain what it was like to work on a once-in-a-lifetime project like this, and to work with a client like the Jones family,” she said. “We worked very hard to translate their desires and their vision, and we are very happy with the way it has turned out and the public response. The client is very happy, and that’s what we all worked for. For years, we worked to find unique materials to bring back to the client, and the use of stone - whether it was on the walls or the floors - was a very purposeful injection of a beautiful product in a timeless manner.”
The exterior of Cowboys Stadium also includes natural stone - specifically Adair limestone from Arriscraft International of Canada.
Sidebar: Cowboys Stadium
Architect: HKS Sports & Entertainment Group, Dallas, TX
General Contractor: Manhattan Construction Co., Arlington, TX
Stone Suppliers: Stone Marketing International (SMI), Houston, TX (interior); Arriscraft International, Canada (exterior)
Stone Producers: Marmi Sava srl, Domegliara, Italy; Manzi Marmi, Trani, Italy; Dimpomar, Vila Vicosa, Portugal; A. Lacroix et Fils Granit Ltée, Saint-Sébastien, Québec, Canada; Island Stone, Santa Cruz, CA; Marmi Graniti Favorita, Vicenza, Italy; Arriscraft International, Canada (exterior)
Stone Contractors: Dee Brown, Inc. (DBI), Garland, TX; Texas Stone & Tile, Carrollton, TX; Sigma Marble, Granite and Tile, Dallas, TX; Modern Tile, Garland, TX; All Commercial Floors, Dallas, TX
The stone was used in rough-faced and honed formats, and Dee Brown, Inc. (DBI) of Garland, TX, served as the masonry contractor for this portion of the project.
“[The stone was] fabricated to 12-inch course heights with a split-face and random lengths from 18 to 48 inches,” stated DBI. “The project has a honed coping with split edges. DBI also templated and fabricated all outside corners due to their complexity and mixture of finishes - from split-face to the honed return.”